Instruments designed for the living
When you hold a multireflex tool for the first time, you immediately understand that this is not a mass-market product. The weight, the material, the finish — everything speaks of craftsmanship that makes no concessions.
Each piece is crafted by hand, one by one, from noble and natural materials. Natural horn is specially selected before it would otherwise end up as fertiliser. We favour it for all parts that come into direct contact with the skin.
Smoother than any synthetic material, it possesses biological antiseptic properties that render aggressive disinfectant products unnecessary. It generates no static electricity that might disturb the skin's microbiome, and its vibratory frequency is said to be in harmony with the natural rhythms of the body's flows.
Mimosa wood adorns the handles, and high-quality metals complete the yin ends. Nothing superfluous — everything has been thought through!
Since 2002, the International School of Multireflexology – Dien Chan has practised the circular economy. Recovered materials find a second life in the production and packaging of each tool. No animal is reared or harmed for its horn — this is an ethical and consistent approach, not a marketing argument.
The success encountered in Europe and North America sometimes leads to stock shortages. This is the only drawback of a manufacturing process that refuses to sacrifice quality for quantity — and that is rather reassuring.
Beware of plastic imitations at tempting prices. Compare like with like!
An authentic multireflex tool is a lasting investment, not an expense.
Preparing the skin before applying cream
This is one of the great lessons of Chan'beauté, and it goes against a deeply ingrained reflex: applying cream to unprepared skin is like watering compacted earth. The water runs off the surface without ever reaching the roots.
Before using any cosmetic product, a few minutes of stimulation with a multireflex tool radically transforms the skin's receptivity. By reviving the blood and lymphatic microcirculation, the tissues are prepared to absorb and amplify the active ingredients that will follow.
The results are comparable — or even superior — to those obtained with far more costly electrical devices, and without any aggression.
For this is one of the founding paradoxes of Dien Chan: overly intense treatments stress the skin, which closes up and defends itself.
A gentle, precise stimulation, on the other hand, prompts the brain and triggers the natural process of self-regulation.
As in any conversation: it is by addressing one's interlocutor with kindness that one obtains the best responses. A shove produces only withdrawal.
Multireflex tools speak to the skin in its own language. And the skin, when it feels heard, responds with generosity.
Yin and yang: two effects, one harmony
When yang awakens and yin harmonises
— Yin-effect tools hydrate, distribute, refresh and stabilise. Their tips — serrated brass cylinders, rollers of small rounded rods, smooth spheres or cylinders — glide over the skin to disperse and harmonise.
— Yang-effect tools, for their part, energise, concentrate, warm and purify. Their spiked balls awaken the tissues, mobilise nutrients and unblock interrupted energy flows.
These two families are complementary and are used in sequence: first the yang tool to bring vital fluids to the surface, then the yin tool to distribute them and stabilise the work accomplished.
The range comes in different sizes to adapt as well to the small areas of the face (corners of the mouth, smirk lines, eye contours) as to the larger body surfaces such as the back, thighs or hips.
A tool for every need, a gesture for every intention. — Yin-effect tools hydrate, distribute, refresh and stabilise. Their tips — serrated brass cylinders, rollers of small rounded rods, smooth spheres or cylinders — glide over the skin to disperse and harmonise.
— Yang-effect tools, for their part, energise, concentrate, warm and purify. Their spiked balls awaken the tissues, mobilise nutrients and unblock interrupted energy flows.
These two families are complementary and are used in sequence: first the yang tool to bring vital fluids to the surface, then the yin tool to distribute them and stabilise the work accomplished.
The range comes in different sizes to adapt as well to the small areas of the face (corners of the mouth, smirk lines, eye contours) as to the larger body surfaces such as the back, thighs or hips.
A tool for every need, a gesture for every intention.
